Barbara T. Smith, Field Piece, 1968-72/2007,
Bas Jan Ader, I’m Too Sad to Tell You, 1971
Stephen Laub, Relations: My Father and Myself in 1952, 1972
Eleanor Antin, 100 Boots, 1971–73.
Suzanne Lacy, Anatomy Lesson (Floating), 1973-76/2011
William Wegman, Artist, 1971
Bruce Nauman, Yellow Room (Triangular), 1973
Paul Kos, The Sound of Ice Melting, 1970
Bruce Nauman, Thighing, 1967 (stil from video)
State of Mind: New California Art Circa 1970
In the late 1960s and early 1970s, when the Imagists exhibited in Chicago and abstract painting held sway in New York, a distinct strain of avant-garde and conceptual art emerged in California.
The state was an incubator of social change and counter-culture that attracted artists seeking alternatives to traditional modes of art making. California’s distance from commercial galleries and the art-world press also gave artists greater freedom to experiment as they challenged the definition of art, the role of the artist, and the academic and institutional structures of the art world.
Organized as part of the landmark Pacific Standard Time initiative by the University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA) and the Orange County Museum of Art, State of Mind: New California Art Circa 1970 is the first in-depth survey of conceptual art in California. It examines this formative period and the enduring legacy it has left for succeeding generations of artists. It includes the work of sixty artists and collectives, including Ant Farm, John Baldessari, Chris Burden, Lynn Hershman, Bruce Nauman, Martha Rosler, and Ed Ruscha. Organized thematically, the exhibition showcases more than 150 works of art—installations, photographs, videos and films, artists’ books, and extensive performance documentation—that demonstrate the critical role of California artists in the development of conceptual art and other new genres.